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Satanic Drag Queen

by Satanic Drag Queen

/
1.
Man, I never woulda guessed that Mr. Horton was, you know, gay. After the cartoon's over, we'll play Neptune: King of the Sea. How do you play that? Oh, you know, it takes a lot of water - bathtub, shower - ah, it's a great game. You're gonna love it. Don't anybody move. I'll get it. I'm not doing anything important. I'm just revising my will. I'm cutting both of you out of it.
2.
I am really looking forward to this. I can't wait to watch 12 movies about cartoon characters fighting dinosaurs and journeying to a volcano. Please make this happen as soon as possible. Please.

about

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Clicker Records reissue of a 2013 dark ambient/noise/musique concrete/tape manipulation album I did. There was this whole big backstory regarding the album and how it was the Lovecraftian brainchild of four computer programmers confronted by a peculiar virus that compelled them to create an album worthy of what it said, but I figured that it was cliché to have such a dumb story to go along with it.

With that said, I pared down the four-track, 90-minute album to two tracks, both of which best fit the aesthetic I was aiming for: found sounds and noisy manipulation. It's essentially drone created by outside sources. If Sunn O))) approached SoundClown or YouTube Poop. It's humorous, but not in a very laugh-out-loud way. More in a "hey, I recognize that sample from that really bad Diff'rent Strokes episode!" way.

Not remastered in any way, easier to fit on one disc of record, and another release to tide over some people.

You want boring Bandcamp drone music, you got it.

CLIQ-1004

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credits

released July 22, 2018

Liebermintz (credited as Satanic Drag Queen) - tape manipulation, Audacity effects abuse, guitar feedback (side two), sampling, mixing, production

Samples on side one come from Diff'rent Strokes episode "The Bicycle Man, Parts 1 and 2."

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Clicker Records Atlanta, Georgia

Clicker Records: music for people who think they're better than Poco. The best net label since Beer on the Rug.

Est. 2014.

Submissions are always open...for now...

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